Original works ofquiet intensity
Original works by John Fitzgerald (1953–2022), a self-taught Neo-Expressionist. Available for private collection.
Currently in Private Collection, New York — Not for Sale
Selected Provenance
A curated selection of works held in distinguished private collections worldwide. Each acquisition represents a moment of collector vision and institutional recognition.
CORTEX REBELLION
2019 | Oil and acrylic on canvas
Acquired 2019 | Private Collection, New York
THE BRONX HYGLYPH
2020 | Mixed media on paper
Acquired 2020 | Private Collection, Los Angeles
ARCTIC VESTIGE
2018 | Oil and ink on canvas
Acquired 2018 | Private Collection, London
STEAM & SYNCHRONICITY
2019 | Acrylic and charcoal on linen
Acquired 2019 | Private Collection, Miami
DIANE'S DAWN
2021 | Oil on canvas
Acquired 2021 | Private Collection, San Francisco
NEURAL STREETS
2017 | Mixed media on wood panel
Acquired 2017 | Private Collection, Paris
KINETIC SOLACE
2020 | Oil and acrylic on canvas
Acquired 2020 | Private Collection, Tokyo
THE Q-TIP MANIFESTO
2019 | Acrylic on linen
Acquired 2019 | Private Collection, Berlin
VORTEX OF THE GENTLE
2021 | Oil and charcoal on canvas
Acquired 2021 | Private Collection, Copenhagen
SKELETAL CROWN
2022 | Mixed media on paper
Acquired 2022 | Private Collection, Amsterdam
WAYNESVILLE WHISPERS
2020 | Oil on canvas
Acquired 2020 | Private Collection, Stockholm
THE FINAL ARC
2018 | Acrylic and ink on canvas
Acquired 2018 | Private Collection, Montreal
Full provenance documentation and certificates of authenticity are provided with every acquisition. All works undergo rigorous conservation assessment and archival evaluation. For inquiries regarding available works from the artist's estate, please contact our offices.
June 15, 2026
The Exuberance Series
A collection of 13 intimate works exploring relationships, life, and chaos derived from everyday moments.
John Fitzgerald
John Fitzgerald (b. 1953, Bronx, NY) was a self-taught force of nature whose work resides at the intersection of raw urban energy and primordial natural forms. A true Neo-Expressionist in the vein of Basquiat and Pollock, Fitzgerald's practice was defined by a rejection of formal constraints and an obsession with the "visual shorthand" of the soul. To Fitzgerald, abstraction was not a style, but a survival mechanism—a way to translate a world of sensory overload into a singular, explosive truth.
Raised in the shadow of the Bronx Zoo, Fitzgerald's early visual vocabulary was forged in a landscape of Gothic architecture and untamed animalistic movement. In 1963, at age ten, he garnered national attention in a Q-Tip-sponsored competition, securing second place for a work created with a single cotton swab. This pivotal moment proved that the medium was secondary to the message.